The Beauty of Nothing | texts-concepts

RAJ KRALJEV presents a performing lecture

THE BEAUTY OF NOTHING

The image of the human essence in the zero gravity

(concept: Raj X Tot)

Human essence is determined by living space in all senses. A new lifestyle and a corresponding creativity are possible only with a new manner of living. The universe offers a realistic possibility for new spiritual dimensions to finally develop.
My story about exploring the space is an intimate project in which I discover my own expressive capacities, the process of controlling my essence in macrocosm. It is a vibration of the psychophysical mutation synchronised with the living space.
I am the space concentrate trapped in a time loop. At the same time I'm conscious or better, I suspect reasonably about the coexistence of the absolute in motion to whom I can approach breaking through conscience, only when I become aware of my specific concentrate.
There, it is no sense anymore. It is just the arrival, the departure and few surprises in between. These are those moments of beauty of nothingness that determine the specificity of the mutating being.

Introduction:

In this lecture I will try to present the vision of changes in our perception which are in my view necessary when we start to place ourselves as living subjects in the non-gravity space.

Videoprojections which I have chosen as background are the visual indicative of the story.
The performing lecture is an experiment that combines fragmentary documents of the past work done on two levels; on the level of researching the dwelling constructs in the 0 gravity and on the level of dealing with this place in an abstract manner through art and sociology of living.
As I have already written, my story about exploring the space is an intimate project in which I discover my own expressive capacities, the process of controlling my essence in macrocosm. It is a vibration of the psychophysical mutation synchronised with the living space.
If I place myself into the future it means that I live in full time and my development is going in the direction of researching the abovelight dimensions of spiritual intergaseous expansions.
The period before the realisation of oneness of time, thus before the discovery of differently measurable parallel time cycles all interlaced in one, is called The Age of Halftime.
The account of the events from the evolution of civilisation on Earth in the dimension of halftime I pass on to you in the story entitled The Spirit of Halftime.

THE CITY is the place where we live.

The City is an evolving moment of events, an organic structure of images coming from the path and a living changing body which is relentlessly trying to capture the moment of its beginning. When translating from prememory, the reception of information is often disturbed, mostly by fear of loosing or forgetting the system which defines the existing truth. This causes the wrong direction of emotional outbursts of different energies that often try to annihilate themselves when they reach a highly developed stage of incompatibility. Every time there is an unnecessary renewal of the already evolved energies on a collective level, the evolution of a certain cycle of civilisation slows down. The factual truth is not an absolute truth, it is an evolving truth whose image becomes distorted by the above mentioned disturbances in the process of translation to a certain cyclic state. The actual state of things is therefore always just an apparent reality and a result of the true story, respectively.

THE SPIRIT OF HALFTIME is a true story, a documentary about a halftime perception which forces us into a constant movement in spite of the incomplete knowledge of the essence.
It is the documentary about a possible evolution of living in space.
The Spirit of Halftime is a historic document of a past future.

First reflections about the feasable living in the geostationary space of our orbit go back to the 21st Century of the last Earth Age. Researches had been carried out already in the previous, 20th century, and the space had been used mainly for communication purposes. The man had been stumbling for many years, with his pioneer machines, against the planets of his solar system. He mastered well the measurements of dimensions and the composition of substance, but he did not know much about the mechanisms of composition and decomposition. Today we know, it is the mechanism of motion and of composing the contents that represents from 80 to 90 percent of all knowledge. The mass transfer was a big problem, yet an even greater problem was the attachment to the material world which impeded in a way the development of psychophysical essence of man.
The 21st Century was the time of discoveries and important realisations which opened up new dimensions of perception. It was those which enabled the passage to the first human Geostationary Age.

In the first Geostationary Age men lived essentially on Earth surface. At the beginning, awkward space stations circled in orbit serving mainly a scientific purpose. But as they constructed the first improved objects with artificial gravitation, they gradually started to move to the geostationary space. Because of the crisis they went through and the ever growing need for uninhabited areas, the level of human tolerance increased as the need for possessing material things considerably decreased. A new ecologically constricted high-quality living system - level city - emerged. The basic ground plan and the intervention of the level city on pillars in the existing urban structure of the city of Ljubljana are shown in the video.

LEVEL CITY
ground plan concept

level 1 - underground transport structure
level 2 - supply and pedestrian level
level 3 - residence and business level

The beginning of the second Geostationary Age was marked by an extensive settlement in orbit and an installation of working stations on Moon and Mars. In the second half of the Age, the population in some geostationary cities exceeded the number of one and a half million inhabitants. On Earth, we can trace a gradual development from the level city structure to a parking city. This was a complete system of dwelling car parks with a planned urban structure and landscape: houses-homes were flying cells moving from one city to another. The density of urban structures on Earth was stabilised. In the video, you can see a ground-plan of the parking city Chicago which was built on the modified urban plan of the city by architect Daniel Burnham from the year 1909 of the last Earth Age.

PARKING CITY
ground plan concept

level 1 - underground transport structure
level 2 - supply and pedestrian level
level 3 - service and business structure

The third Geostationary Age began when the first geostationary city was placed into the orbit of Mars. It was the construction of the first autarchic geostationary city in orbit that made it possible. The city could function independently from the Earth supplies. It was the age of first direct discoveries of other civilisations on certain planets in our galaxy. As the atmosphere was dying, the life on Earth   gradually became unbearable and there were no permanent inhabitants left by the end of the age. Geostationary autarchic cities with artificial gravitation were assembled with simple construction units made of light protometallic material, which could be relatively easily expanded into a cylindrical construction. Intercity and interplanetary connection was facilitated by fast airbus transport. The organisation of living in those cities followed a developed cylindrical level principle, oxygen and raw material were artificially produced and the necessary climate and vegetation restored.

GEOSTATIONARY CITY
urban concept of the cylindrical level principal

outer circle     - city communication infrastructure
intercity and interplanetary airbus stations
middle circle - service and work level
artificial climate and vegetation
inner circle     - residence level
supply and pedestrian level

During the first Geostationary Age first flying houses appeared on Earth due to the discovery of new propelling energies. The main purpose of those objects was not travelling. Their functions were precisely defined and they were carried out in different parts of the world. This was a major breakthrough in the rational use of building areas. The first flying building was a flying theatre. Artists could show their work in the same multimedia building throughout the world. The concept of ancient travelling theatres from before the last Earth Age was thus revived.

OTTO VOLANTE
-Theatre with a round central hall and mobile stands in the lower sphere of the eight.

TRABICOLO
-Theatre for three spectators with a central multimedia video stage.

PANORAMA
-Theatre with the principle of Greek amphitheatre with a central stage.
-Possible view through the transparent wall behind the stage.

TERRAXTERRA
-Variable spherical theatre with a big central hall.
-Possible division into four half-amphitheatrical halls.

Also in the second Geostationary Age the theatre building was a precursor of extensive migrations to space. It was, so to speak, a representative building of the evolution of living in space. A short explanation of the main reasons for this follows in the text below which was inspired by the first ideas of the space theatres before the first Geostationary Age:
“Human essence is determined by living space in all senses. A new lifestyle and corresponding creativity is possible only with a new manner of living. The universe offers a realistic possibility for new spiritual dimensions to finally develop.
The concept of living is presented in terrestrial theatre as a fictive formation. This enables the audience to get to know its contents in an unburdened manner. That is why I am convinced that the theatre as a massively populated living space is the most suitable advocate of the new lifestyle.
The theatre as an architectural form identifies each civilisation. The system of space theatres with its architectural image places us in the coming age. Thus the theatre's identity regains the lost values of universal recognisability.
The space theatre will float motionless beyond the gravitational pull at a point 36.000 km above the Earth. Its speed will equal that of the Earth's rotation. Such a theatre as an architectural centre will function as a mediator of ideas, myths and thoughts. It will be an autonomous performing laboratory of artistic activities.”

The reason for the beginning of the fourth Geostationary Age is the invention of the first monocell capsule which travels through space with the speed of light. In the previous ages man had improved his knowledge of microenergies. He found out that to prevent the decomposition of matter particles travelling at the highest possible known speed, he needed to add highfrequency spiral vibrations. He constructed a capsule consisting of particles of one monocell mass, which could carry him into the space with the speed of light. Simultaneously, he began to adjust himself to the long periods of living in the non-gravitational space and started to plan more modern space cities. This was the reason why he passed over to a new living system - megaphone - a city with a gradual disappearance of gravity. A simulation of living in the megaphone system was first shown in the FLYING EIGHT space theatre.

TERRAXTERRA
-It is a genius of space variability.
-Central spherical hall can be divided into two or four halls.
-When divided with a triple cross section, the central hall forms eight threesided pyramidal halls.

TRABICOLO
-It is a space toy.
-It is basically designed for three people.
-Spectators at three points are guided around the circumference of a sphere in all directions by electromagnets.
-The performance is held in the center of the sphere.

PANORAMA
-It is a reflection of love for the content of non-gravity.
-Universe is a performance we watch from the facing stands through a revolving transparent element behind the stage.

OTTO VOLANTE
-It is the first space theatre.
-It captures the spirit of the primordial idea in the evolution of space theatre.
-The principal conditions of non-gravity are recognisable in the structure of volumetric usefulness.
-The stands are centred towards the two stages facing each other.
-Possible floating “flying eight” motion around both stages.

At the time when the first ideas of conical dwelling cities appeared, the human body was undergoing its first radical mutations. First experiments of a possible coexistence between three differently mutated subjects were carried out in the space theatre for three people. The results of the experiment showed that both human body and soul were prepared to step into a new dimension of living. People were able to spend their lifetime in a non-gravitational space. Plans for the three megaphone system cities date from that time. Those cities were: CILINDRICA, SPIRALICA and CONICA. Their purpose was to prepare the individual gradually to master his being in the entire universe.

A degree of the conscious perception of one’s own importance in relation to the complexity of the space construct was very high in the megaphone cities system. Each of the three systems was divided into five urban areas which enabled a gradual passage into a dimension of accomplished non-gravity, and facilitated the organisation of the mutating collective consciousness. Conflicts which could have endangered the existence of the system, had been made impossible long ago. A man had constructive solutions to the worst outbursts of a destructive subconscious. Responsibility to oneself and to others, and freedom of movement and expression within a system were ill-famed and called anarchy in the antique Earth Age. In the fourth Geostationary Age this was a self-evident principle of living.

A goal of each inhabitant of the megaphone system space cities was a self-mastery in new dimensions of the universe. In short, research. According to the attained degree of development, the departure was consequently a logical wish of each individual. There was no special system in organisation of departure. Each one set out to research a new life in his galaxy with the speed of light and an intention to report the findings to his civilization.
The man autharchic object was able to spend a lifetime in a one-cell traveling capsule without any additional supply or help. He reached a higher level of energetic consciousness which provided him with an autogenous cyclic energy supply and ability to solve all unpredictable interventions. He almost merged with his living place.

At the end of the fourth Geostationary Age and at the beginning of the first Interplanetary Age a man succeeded to synchronise all the structures of the tiniest microparticles of organic matter in one COMPREHENSIVE BEING. He was able to express himself as a onesound system which could compose or decompose itself under a certain high frequency vibration. In this decomposed state he was able to travel in a sun beam without his auxiliary dwelling object. This discovery brought about the realization of the ONENESS OF TIME, which marked the end of the age of halftime and the beginning of the first Interplanetary Age.

All the while from the beginning of the first Geostationary Age a man had a premonition of this discovery. His development during this time was therefore an introduction to totalitarian clarity which opened up new abovelight horizons.

CILINDRICA: Parallel megaphone system.
Hierarchical urban system with an overstepping passage to a new level.

level 1 - acclimatization
level 2 - new order
level 3 - awareness
level 4 - active presence
level 5 – departure & research

RESEARCH
Longing for knowledge compels the human nature to research the limits of its own capacities. But we must know that it is senseless to force the order if the knowledge of essence is not complete. Being honest to oneself in each and every moment enabels us to set out with an attitude on the way to the completition of the construct.

SPIRALICA: Belt megaphone system.
-Linear urban system with a gradual passage to a new level.

level 1 - acclimatization
level 2 - new order
level 3 - awareness
level 4 - active presence
level 5 - departure → research → report

REPORT
Attachment to our roots can be an obstacle only as long as we do not realise that belonging to the source is an indisputable fact; a foundation on which we can even more resolutely and freely develop to the limits of synchronicity with the universe. Reporting home is mutually useful.

CONICA: Direct megaphone system.
Mixed urban system with a free passage to all the levels.

From the 1st to the 5th level interweave: from self-evident clear communication and active presence in the urban life to the departure and research → report→ return

RETURN
When the wish to move is too strong, we may move too far from our consciousness, and this may crumble our endurance and hinder the development of our psychophysical being. The researcher can always return home in the domain of absolute perception where he can more easily make a report of his journey.

URBAN MICROORGANISM as the final dwelling object of the Interplanetary Age. A man becomes a total AUTOMATIST (who loves automaticly in all forms and dimentions) controlling his psychophysical state in all space dimensions.

The LANGUAGE remained to him - the diverse communication code system which contains a concept of awareness of being in different parallel times. In each time each message needs to be explained with different arguments.
The VISION remained to him - the construct is constantly changing and simultaneously recording the patterns of completed cycles of images. At the fusion of both actions a new light is born.
The VOICE remained to him – because man is a star beaming his pulse in a rhythm. This is why he always emits voice. Each voice is a new expression.
The SIGN remained to him – the energy scatter causes duration that unwinds during the time of nucleus combustion. The nucleus is home which we always need to leave behind if we want the time to start. We need to embrace the wholeness of time to make the breakthrough to the new nucleus.
The ESSENCE as a space concentrate HERE and NOW is still trapped in a time loop but is ready to move in the ALLTIMENESS. This happens when the ESSENCE mutates into the specificity of its CONCENTRATE.
The space construct is still a dwelling place. The concept of exercising the power over the others as well as the concept of possessing the material things vanish in the moment when the context of the linear perception SPACE-TIME changes.
The essential core or the Absolute as a FIXED CONCEPT OF TRUTH looses its value when the LIBERATION OF MEANING occurs. The linear pattern of the relevance of the meaning mutates into the TRANS MEANING where the essential core expresses itself in the INTERACTION OF MEANINGS and not in their RELEVANCE.
When the ESSENCE reaches the harmony with the VIBRATION OF THE MUTATION of its own concentrate, it BREAKS THROUGH the time loop. Its STRUCTURE begins to deconstruct. This gives rise to a new EXTENDED BODY which controls the mechanisms of composition and decomposition.
The LIVING place becomes an ubiquitous FUSING TIME PLACE. A container of all interactive REALITIES.
The absolute core becomes the HOLDER OF THE CHANGING CONCEPT OF ESSENCE AND TIME. It is therefore possible to MERGE in the BEING OF ULTIMATE CLARITY where the VIBRATION OF THE MUTATION is the LIBERATED MEANING or better yet, the BEAUTY OF NOTHING expressed as LOVE OF AUTONOMOUS UNITS WITHOUT GRAVITY.