Homoscope and The Spirit of Halftime

THE SPIRIT OF HALFTIME

The responsibility to oneself is a fundamental condition for one’s presence in the action of establishing new relations in the evolution of civilisation. Responsibility is presence. And presence is research. To research is to establish a real contact with a vast world of undefined and unexplained inner feelings which are the cause of one’s inner tensions. The goal of this quest is to change these feelings into tangible facts, and this happens only in rare moments of creative ecstasy of otherwise unrecognisable mind. Reflecting about the being in lavitational sphere, the research of the possibilities of living and creating in this sphere has become my spiritual goal. The space and its integrity represent the main creative force for me and the gravitation 0 is its stage of expression.

At the end of the 20th century of the last Earth Age, earthlings discovered a head sculpture of a primordial spaceman from the first Interplanetary Age in the Valley of the Kings in Egypt. The alabaster face had been left there by members of our civilisation at their first attempts to inhabit this planet. A few years later, a model of a primordial space city from the same age was found in Ljubljana, a city in the centre of Europe. On Earth, both discoveries seemed to be accidentally linked, for they were discovered by the same man, a creative subject with my earth frequency. It is to him that I communicate information about the developments in the construct of the universe, so he may express them according to his own will and hand them over to his earth time. In our perception, this accidental archaeological event represents only a logical transfer of information through the same prememory code. It was precisely the perception of prememory which was quite deficient in a conscious earthling of that age. Thus, the evolution of human essence took its course accordingly to the imperfect definition of code reading.
Both discoveries took place when the last material age was ending, and the human space period was beginning. For many years the earthling, with his pioneer machines, had been stumbling against the planets of his solar system. He mastered well the measurements of dimensions and the composition of substance, but he did not know much about the mechanisms of composition and decomposition. Today we know it is the mechanism of motion and compound contents that represents from 80 to 90 percent of all knowledge. The mass transfer was a big problem, yet an even greater problem was the attachment to the material world which impeded in a way the development of psychophysical and spiritual essence of man. The 21st century was approaching, the time when the source of mass was discovered along with other important discoveries which opened up new dimensions of perception. It was those which enabled the passage to the first human Geostationary Age.
The prevailing notion at the time, based on the physical measurements, was that time is relative. They did not know the mechanism of parallel times which was later known to the members of the first Interplanetary Age, inhabitants of the before mentioned primordial space city. Today we know; time is one. It means we live in a full time and our development is going in the direction of researching the abovelight dimensions of spiritual intergaseous expansions.
The period before the realisation of oneness of time, thus before the discovery of differently measurable parallel time cycles all interlaced in one, is called the age of halftime. The account of the events from the evolution of civilisation on earth in the dimension of halftime is passed on to you through emotions of my personal reporter of vision and voice from the construct, in the project The Spirit of Halftime.

Alnitak,	intergalactic informer
year 149 of the third Intergalactic Age	RAJ X TOT

When translating from prememory, the reception of information is often disturbed, mostly by fear of loosing or forgetting the system which defines the existing truth. This causes the wrong direction of emotional outbursts of different energies that often try to annihilate themselves when reaching the developed stage of incompatibility. Every time there is an unnecessary renewal of the already evolved energies on a collective level, the evolution of a certain cycle of the civilisation slows down. The factual truth is not an absolute truth, it is an evolving truth whose image becomes distorted by the above mentioned disturbances in the process of translation to a certain cyclic state. Awareness, that in our life we are only telling a story incessantly completing itself by decoding new information, will erase from our self-confidence the unproductive feeling of panic which grows with the invasion of new and, in our view, destructive impulses of truth. This view is absurd if we know that the actual state of things is always the result of a true story.
The Spirit of Half Time is a true story, a documentary about a halftime perception which forces us into a constant movement in spite of the incomplete knowledge of the essence. This is a story of apparent possibilities which become true facts when the forces of thinking men become a pure concentrate and when the energy evolved in action enables their realisation.

Earth,	reporter from the construct
year 1996 of the last Earth Age	RAJ KRALJEV

1. history
2. stage I.
3. stage II.
4. stage III.
5. representative building
6. flying theatres
7. space theatres
8. living system megaphone
9. new living system
10. cilindrica
11. spiralica
12. conica
13. system of organisation of living
14. system of organisation of departing
15. research, report, return
16. man autarchic object
17. inosphere
18. outosphere
19. autosphere
20. introduction to clarism
21. language
22. vision
23. voice
24. sign

HISTORY

When I was sixteen, I drew three micro-organisms. After a while, I realised those were three space cities of a perfect organic structure from the third Intergalactic Age. They are the home of Rajxtot, my informer from the construct. In the dissertation at the end of my architectural studies at the university I wrote: “City is an evolving moment of events, a limited organic structure of images coming from the path and a live and changing body which is relentlessly trying to capture the moment of its beginning.” This thought shows the approach with which I am beginning to tell the story of a possible evolution of terrestrial being.
The information about the evolution of space city in the age of halftime was passed on to me. All the images are a creative translation of given impulses and the text is written in past tense which is a past future tense in the earth time cycle.
First feasible reflections about living in the geostationary space of our orbit go back to the 21st century of the last Earth Age. Researches in this space had been carried out already in the previous, 20th century, and it had been used mainly for communication purposes. But the reasons, which led to consider this space as a suitable place for living, were the following: increased pollution on earth, severe overall crisis on the turn of the 21st century, and on the other hand new technological and spiritual acknowledgments which opened up the possibility of using new energies in the transfer of matter from gravitational sphere of Earth to its orbit. In the 21st century all this was to lead the civilisation on earth to the beginning of the first Geostationary Age.

STAGE I

In the first Geostationary Age men lived essentially on Earth. At the beginning, awkward space stations circled in orbit serving mainly in scientific purpose. But as they constructed the first improved objects with artificial gravitation, they gradually started to move to the geostationary space. Because of the crisis they went through and the ever growing need for uninhabited areas, the level of human tolerance increased as the need for possessing material things considerably decreased. A new ecologically constricted high-quality living system - level city - emerged. The basic ground-plan and the intervention of the level city on pillars in the existing urban structure of the city of Ljubljana are shown in the picture below.

stage I: level city

level 3	esidence and business level
level 2	supply and pedestrian level
level 1	underground transport structure

STAGE II

The beginning of the second Geostationary Age was marked by an extensive settlement in orbit and installation of working stations on Moon and Mars. In the second half of the age, the population in some geostationary cities exceeded the number of one and a half million inhabitants. On Earth, we can trace a gradual development from the level city structure to a parking city. This was a complete system of living car parks with a planned urban structure and landscape: houses-homes were flying cells moving from one city to another. The density of urban structures was stabilised. On the picture below, you can see a ground-plan of the parking city of Chicago which was built on the modified urban plan of the city, made by architect Daniel Burnham in the year 1909 of the last Earth Age.

stage II: parking city

level 3	flying houses - parking towers service and business structures
level 2	lying houses - parking plots supply and pedestrian level
level 1	underground transport structure

STAGE III

The third Geostationary Age began when the geostationary city was first moved to the orbit of Mars. This was due to the construction of the first autarchic geostationary city in orbit. The city could function independently from the Earth supplies. It was the age of first direct discoveries of other civilisations on certain planets in our galaxy. As the atmosphere was dying, the life on earth gradually became unbearable and there were no permanent inhabitants left by the end of the age. Geostationary autarchic cities with artificial gravitation were assembled from simple construction units made of light protometallic material, which could be relatively easily expanded into a cylindrical construction. Intercity and interplanetary connection was facilitated by fast airbus transport. The organisation of living in those cities followed a developed cylindrical level principle, oxygen and raw material were artificially produced and the necessary climate and vegetation restored.

stage III: autarchic geostationary city

inner circle	esidence level
middle circle	supply and pedestrian level artificial climate and vegetation
outer circle	service and work level city communication structure intercity and interplanetary airbus stations

REPRESENTATIVE BUILDING

First flying houses appeared on Earth during the first Geostationary Age due to the discovery of new propelling energies. The main purpose of those objects was not travelling. Their functions were precisely defined and they were carried out in different parts of the world. This was a major breakthrough in the rational use of building areas. Flying theatre was the first of its kind. Artists could show their work in the same multimedia building throughout the world. The concept of ancient travelling theatres from before the last Earth Age was thus revived (picture). The theatre building was a precursor of extensive migrations to space also in the second Geostationary Age. It was a representative building of the evolution of living in space, so to speak. A short explanation of the main reasons for this follows in the text below which was inspired by the first ideas of the space theatres before the first Geostationary Age:
“Human essence is determined by living space in all senses. A new lifestyle and corresponding creativity is possible only with a new manner of living. The universe offers a realistic possibility for new spiritual dimensions to finally develop.
The concept of living is presented in terrestrial theatre as a fictive formation. This enables the audience to get to know its contents freely. That is why I am convinced that the theatre as a mass living space is the most suitable advocate of the new lifestyle.
The theatre as a form of architecture identifies each civilisation. The system of space theatres with its architectural image places us in the coming age. Thus the theatre's identity regains the lost values of universal recognisability.
The space theatre will float motionless beyond the gravitational pull at a point 36.000 km above the Earth. Its speed will equal that of the Earth's rotation. Such a theatre as an architectural centre will function as a mediator of ideas, myths and thoughts. It will be an autonomous theatre environment inhabited by art.”

FLYING THEATRES

OTTO VOLANTE
-Theatre with a round central hall and mobile stands in the lower sphere of the eight.
-Round open theatre on the roof with a central stage in the upper sphere of the eight.

TERRA TERRA
-Variable spherical theatre with a big central hall.
-Possible division into four half-amphitheatrical halls.
-Smaller round hall on the roof.

PANORAMA
-Theatre with the principle of Greek amphitheatre with a central stage.
-Possible view through the transparent wall behind the stage.
-Smaller amphitheatrical theatre on the roof.

TRABICOLO
-Theatre for three with a central multimedia video stage.

SPACE THEATRES

OTTO VOLANTE
-It is the first space theatre.
-It captures the spirit of primordial idea in the evolution of space theatre.
-The principal conditions of non-gravity are recognisable in the structure of volumetric usefulness.
-The stands are centred towards the two stages facing each other.
-Possible floating “flying eight” motion around both stages.

TERRAXTERRA
-It is a genius of space variability.
-Central spherical hall can be divided into two or four halls.
-When divided with a triple cross section, the central hall forms eight threesided pyramidal halls.

PANORAMA
-It is a reflection of love for the content of non-gravity.
-Universe is a performance we watch from the facing stands through a revolving transparent element behind the stage.

TRABICOLO
-It is a space toy.
-It is basically designed for three people.
-Spectators at three points are guided around the circumference of a sphere in all directions by electromagnet.
-The performance is held in the center of the sphere.
-Possibility of a maximum of 24 electromagnetically guided points - spectators.

LIVING SYSTEM MEGAPHONE

The reason for the beginning of the fourth Geostationary Age is the invention of the first monocell capsule which travels through space with the speed of light. In the previous ages man had improved his knowledge of microenergies. He found out that to prevent the decomposition of matter particles travelling at the highest possible known speed, he needed to add highfrequency spiral vibrations. He constructed a capsule consisting of particles of one monocell mass, which could carry him into the space with the speed of light. Simultaneously, he began to adjust himself to the long periods of living in the non-gravitational space and started to plan more modern space cities. This was the reason why he passed over to a new living system - megaphone - a city with a gradual disappearance of gravity. A simulation of living in the system megaphone was first shown in the “Flying Eight” space theatre (picture).

NEW LIVING PURPOSE

At the time when the first ideas of conical dwelling cities appeared, the human body was undergoing its first radical mutations. First experiments of a possible coexistence between three differently mutated subjects were carried out in the space theatre for three people (picture). The results of the experiment showed that both human body and soul were prepared to step to a new dimension of living. People were able to spend their lifetime in a non-gravitational space. Plans for the three system megaphone cities date from that time. Those cities were: CILINDRICA, SPIRALICA and CONICA. Their purpose was to prepare the individual gradually to master his being in the entire universe.

CILIDRICA
-Parallel system megaphone.
-Hierarchical urban system with an overstepping passage to a new level.

SPIRALICA
-Belt system megaphone.
-Linear urban system with a gradual passage to a new level.

CONICA
-Direct system megaphone.
-Mixed urban system with a free passage to all the levels.

SYSTEM OF ORGANISATION OF LIVING

A degree of conscious perception of one’s own importance in relation to the complexity of the space construct was very high in the megaphone cities system. Each of the three systems was divided into five urban areas which enabled a gradual passage into a dimension of accomplished non-gravity, and facilitated the organisation of the mutating collective consciousness. Conflicts which could have endangered the existence of the system, had been made impossible long ago. A man had constructive solutions to the worst outbursts of a destructive subconscious. Responsibility to oneself and to others, and freedom of movement and expression within a system were ill-famed and called anarchy in the antique Earth Age. In the fourth Geostationary Age this was a self-evident principle of living. The organisation of living in the areas of the three systems was as follows:

CILINDRICA - an overstepping passage to the new level
level 1 - acclimatization
level 2 - new order
level 3 - awareness
level 4 - active presence
level 5 – departure & research

SPIRALICA - a gradual passage to the new level
level 1 - acclimatization
level 2 - new order
level 3 - awareness
level 4 - active presence
level 5 - departure & research

CONICA - free passage to all the levels
level 1 clear communication
level 2 and awareness
level 3 of active presence
level 4 in the urban life
level 5 departure & research

SYSTEM OF ORGANISATION OF DEPARTURE

A goal of each inhabitant of the system megaphone space cities was a self-mastery in the expansion of the universe. In short, research. In view of the attained degree of development, the departure was consequently a logical wish of each individual. There was no special system in organisation of departure. With the speed of light, each one set out to research a new life in his galaxy with an intention to report the findings to his civilization. The basic wish is expressed in this sentence, written in the last Earth Age: “Dreams of the days to come become reality when we are ready to follow ourselves to the uttermost degree of mutation. Transfiguration to love without fear is possible when all the information finds its way home. On my way Alone in my independent capsule, I purify my strength in a responsible stage of the civilization of being. Automatist is a responsible anarchist who loves his being to its limits.”

RESEARCH, REPORT, RETURN

RESEARCH
Longing for knowledge compels the human nature to research the limits of its own capacities. But we must know that it is senseless to force the order if the knowledge of essence is not complete.

REPORT
Attachment to our roots can be an obstacle only as long as we do not realise that belonging to the source is an indisputable fact; a foundation on which we can even more resolutely and freely develop to the limits of synchronicity with the universe. Reporting home is mutually useful.

RETURN
When the wish to move is too strong, you may move too far from your own consciousness, and it may crumble your endurance and hinder the development of your psychophysical being. A researcher can always return home into the domain of absolute perception where he can more easily make a report of his journey.

MAN AUTHARCHIC OBJECT
He was able to spend a lifetime in a one-cell travelling capsule without any other supply or help. He reached a higher level of energetic consciousness which provided him with an autogenous cyclic supply and ability to solve all unpredictable interventions. He almost merged with his living place. Man autarchic object is shown in the picture below on the sketch from the last Earth Age.

INOSPHERE
A dwelling sphere within the geostationary space city. An autarchic dwelling ecosystem.

OUTOSPHERE
A sphere within the geostationary space where space dwelling constructions move around a certain planet.

AUTOSPHERE
A sphere of the developed autarchic travelling dwelling capsules. A man - automatist - is travelling in the sun beam on his way to astral.

INTRODUCTION TO CLARISM

At the end of the fourth Geostationary Age and at the beginning of the first Interplanetary Age a man succeeded in synchronising all the structures of the tiniest microparticles of organic matter into one organism. He was able to express himself as a onesound system which could compose or decompose itself under a certain high frequency vibration, and in the decomposed state he could travel in a sun beam. Due to this discovery a human being realized the oneness of time, which marked the end of the age of halftime and the begining of the first Interplanetary Age, called CLARISM.
A man became a perfect automatist who mastered a psychophysical condition in all space dimensions. All the while from the beginning of the first Geostationary Age a man had a premonition of this discovery. His development during this time was therefore an introduction to clarism which opened up new abovelight horizons.

LANGUAGE

He had language, a diverse communication code system which contains a concept of awareness of being in different parallel times. In each time a certain message needs to be explained with different arguments.

VISION

He had vision. The construct is constantly changing and at the same time witnessing completed cycles of images. Each time one is paying attention to both, a new light is born.

VOICE

He had voice. Man is a star which beams its pulse in a certain rhythm. Therefore, he emits a voice. Each voice is a new expression.

SIGN
Dispersal of energy causes duration which unwinds during the time of nucleus combustion. Nucleus is home which we always need to leave behind if we want the time to start. But we must know that TIME IS ONE.